Artist

SILVIA PERCUSSI

NOTES,  installation detail, various elements,2022

NOTES, installation detail, various elements,2022

dimensioni: about 10 x 20 cm (one element)
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BELLIES VIOLATED, installation detail, various elements,2022

BELLIES VIOLATED, installation detail, various elements,2022

dimensioni: about 10 x 20 cm (one element)
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OPS white on black, 2022

OPS white on black, 2022

dimensioni: 50 x 50 cm
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ROUGE, 2021

ROUGE, 2021

dimensioni: 80 x 60 cm
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OPS black on white  , 2022

OPS black on white , 2022

dimensioni: 50 x 50 cm
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OPS black on red, 2022

OPS black on red, 2022

dimensioni: 50 x 50 cm
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PAPYRUS 2018

PAPYRUS 2018

dimensioni: 80x80 cm
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WEAVES 02, 2019

WEAVES 02, 2019

dimensioni: 80 x 40 cm
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TRIBUTE TO CALDER 02, 2019

TRIBUTE TO CALDER 02, 2019

dimensioni: 40x80 cm
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BOUNDARIES_DIPTICAL

BOUNDARIES_DIPTICAL

dimensioni: 50 x 80 cm
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 TRIPTYCH, 2019

TRIPTYCH, 2019

dimensioni: 120x100 cm
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KK 1- 2

KK 1- 2

dimensioni: 80x100 cm
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BORDERS, 2019

BORDERS, 2019

dimensioni: 50x80 cm
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WEAVINGS IN RED, 2020

WEAVINGS IN RED, 2020

dimensioni: diameter 50 cm
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SILVIA PERCUSSI

Silvia Percussi was born in Florence and lives in Pistoia. She has exhibited throughout Italy for many years. Growing up in a family of painters and musicians, she found it natural to communicate the rhythmic flow of life through images. For some time, she has experimented by focusing on rhythmic structures and a limited palette, enriched by a jumble of assembled materials, where metallic effects or ordinary canvas and corrugated cardboard surfaces are used for their chromatic and tactile value along with their intrinsic evocative power. Mindful of the most rigorous classical abstractionism, the layout in Silvia's compositions is often reduced to the use of merely lines, circles, squares, and rectangles, primordial elements in a quest for harmony and balance. In Silvia's compositions, they seem to suggest a simple process, a metaphor for a lifestyle: in a field preordained by horizontal and vertical coordinates, few elements move, confirming their infinite possible combinations, in pursuit of a sustained contemplation, a balance of solid and void, light and shadow, sincerity and artifice. Looking at one of Silvia’s work involves reliving, and mentally fulfilling, this contemplation of a never-ending process. Simply inserting a small metallic triangle automatically triggers the need to counterbalance it, in a systematic, yet simultaneously playful, process, in which the gestaltian rules are combined with a distinctive sensibility while, at the same time, inviting civil coexistence and continuous dialogue. If her works are mainly two-dimensional, she also frequently works with ceramics and producing objects whose rigorous structures dissolve into the naturalness of the impression and the gesture.

[Roberto Agnoletti]

www.silviapercussi.it

https://youtu.be/sx51IBFCczo